fivetimechamp: by me (a sharp-dressed man)
Виктор Никифоров ([personal profile] fivetimechamp) wrote2017-02-19 01:26 pm
Entry tags:

GPF Banquet, 9 December, 2012 – Sochi, Russia

He's never quite sure how long he should stay at these things.

It's not that he doesn't enjoy the banquet – he does. After winning his fifth consecutive Grand Prix Final, the champagne tastes all the brighter, and the company around him is more delightful than ever. He enjoys seeing his peers and companions, sharply-dressed and relaxed for the first time in months, the strain of competition dropping away, even if only for a single evening. The food is tasty, the attention warming, the evening sparkling, the room filled with all the brightest stars of their world. Yes, he enjoys the banquet.

But there's a part of him that itches to make his excuses, and leave. To trade out this suit for a loose part of pants and a warm shirt; these polished shoes for the clean glide of his skates.

He can make the program even better. He can perfect it.

So there's an element here, too, of detachment. He notices it with the others, too – with Chris, who fell short of him, again, and JJ, full of boundless confidence. Eventually abandoning polite small talk and gossip to dig into their craft, to discuss music selections and jump compositions, to compliment and rag on each other. No one used to being off the ice for long.

He talks less, but thinks more. Already working through the choreography in his head, even as he laughs over champagne, and greets his friends.

It is who he is. The champion. And tomorrow will be more of the same.
theglassheart: By Laura (A dizzy twister)

[personal profile] theglassheart 2017-02-26 10:45 pm (UTC)(link)
The world is spinning a bit too much when the elevator jars to a stop, and Yuri has to put a hand on the wall.

He forgot how solid walls were. Walls are incredibly, helpfully, so very solid and still. But it isn't, too. It's still shaking just enough. A metal box on strings, that hates gravity and moves way too fast for his stomach. That still feels like it's being shot skyward too fast, and even though the elevator stopped moving, it hasn't.

It roils uncontrollably even as Celestino is guiding him out now. There's an arm on shoulder, and it's more conciliatory, maybe a partial reward for not hitting every button in the elevator, or even wanting to stay in it for the thought of going down again. Which just thinking about made him want to hug his shoes to his stomach.

Celestino was grumbling something that's lost on him, as he's just focused on forward. Even though every thought between those gulps of air and weaving steps is ricocheting and plummeting feeling. His stomach going up. His heart going down. Meeting in the middle in an obliterating, nauseating explosion that made him want to drop to his knees because it felt like his lungs were shredded by the tulmult. He kept seeing Victor's face. Every weightless pause between the step and rebound of his weight, shifting across his frame, shaking pennies and rocks in his head.

Victor's face. When he'd been laughing. When he'd been close. When he'd been wide-eyed and cheeks colored.

He needed to do something. He remembered that, distantly, against the tide, as he watched Celestino open his door. Card and key. He didn't even know where those came from. Couldn't remember the last time he'd seen them. Beep. Shift of color. Click of the lock, and he walked into a room like winter. A shiver as his more than half of him still uncovered met the cold air, and goosebumps prickled, dizzying him more as the feelings seemed to shout from everywhere inside of him.

The darkness didn't help. Blurred everything worse than when he didn't have his glasses. Shadows barely making sense. The niggling thought he wasn't supposed to be here. He wasn't he had somewhere else to be. He still had to get back. It was important. It was ... dire. It felt like he might not be able to take another breath if he couldn't follow through on it. Some kind of promise, some kind of answer.

Even in the dark, the black, directed by unseen hands, everything seemed to be shifting more to blue-green. Calling.
theglassheart: By Laura (Make you stop and breathe)

[personal profile] theglassheart 2017-02-27 04:32 am (UTC)(link)
There's pressure on his shoulder, guiding him, and it's like being pushed and pulled by a ghost. He can't focus, even when he wants to, and shadows are harder. There differentiation doesn't work as well without effort and effort, right now, is dizzying. Even if bobbing along in the dark, where he's pushed and pulled, makes him feel like some strange ragdoll of a boat.

Before he's being pushed through the air, downward, and it feels too long, too far, it feels like the descent of gravity for his skates catch the ice, when there's those seconds where it twines to feel at once like he might never come down and at once like speed is coming with downward momentum, and he's going to break everything just the right way.

A memory flickers somewhere. Of his head jostling a shoulder, and the brilliant light of an enrapt, surprised face -- as his bare legs find the bed, and his hand reaches out to catch him. The bounce of the bed a twin to the horrible idea of the elevator, when it won't stop moving up and down. Feels like it's shaking his brain and his stomach with it, the bounces fading toward his center like an attack. But the movement doesn't cease, because he's being pulled down, pushed down, something.

Something soft finding his cheek, his hand moving under it and clutching up a pillow, as Celestino's disembodied voice said something about checking on him in the morning and something else, further away, across the dark ocean flooding into his eyes and curdling his guts about, he thinks, straining through confused sensations of coldness and softess and darkness, that voice grumbles that hopefully enjoyed himself, for whatever that cost.

The second sounding, he expects it should be labeled angry, but it isn't. It's softer. Almost sad.

He can't quite remember why Celestino should be angry. Why it should be angry.
Or why it is sad instead. It feels like he should know that. Not be able to forget it.


There's a momentary flood of light, as the door opens and closes, a stab of light that feels like it digs into this head, into his guts, and then it's just the darkness swarming him again. The sudden certainty, alarming, like coming right at a wall too fast for your plan, that laying down is a bad. It's a terrible idea. Gravity is still turning everything upside down, even though he isn't moving, darkness pouring into his eyes, his lungs, that are trying to escape against the waves coming in, and it hurts when he pushes up on his left arm, not certain where anything is.

Not certain why his body feels like a rubberband a kid stretched to snapping, but unable to ask the question.

Not while rounding the bed, slamming his shin on the corner, and still trying to make it to the bathroom before everything is worse.
theglassheart: By Laura (Tick-Tock Tick-Tock Tick-Tock)

[personal profile] theglassheart 2017-02-27 01:25 pm (UTC)(link)
Everything hurts. The muscles of his back constricting tight. Arms biting into unyielding porcelain. Knees still throbbing from the drop, skid, half tumble into the floor and toilet in that absolute dark. That he would give his soul back to the attack of the darkness, dizzy and daunted, upside down, inverted, forever falling, if he had any control over anything left.

But he doesn't. Only seconds where he can hear his harsh breathing, and minutes where everything is acid and pain.

Champagne does not taste good coming up. Neither does anything else. He doesn't know how many desperate pleas to the universe happen, while nothing changes. While he's chained to that spot and wrung out until nothing else is coming up, vacating him like a fleeing flood of fans. Until it's just the rasp of his air, and the churn of his lungs, and he's not sure he's ever hurt this much, ever, and pain has defined his life in some amount for years on end.

Pain that was worth beauty. Pain that paid at the end.

There is no beauty in this. It's a miserable thing, almost without end.




Until it is. Cheek sweating against the rim, but his breath has calmed, even if his throat won't stop burning, but the idea of water is the idea of moving is the idea of torture. He just wants to curl up in a ball and die here. Right here. Against a toilet. In the dark. In a Russian hotel bathroom. Where his body won't stop trying to wring itself dry even though nothing is coming anymore.

Which he gives into for a while. The fugue of pain. The pervasive smell of vomit, that stays with him even though he finds the woozy strength to flush that toilet several times, fumbling blindly for the lever. He gives himself to the darkness, feeling more fragile than a leaf, every muscle in his body vanished, except when he shifts, except when it's a crescendo of pain that no piece of music or movement could properly express.


When he can finally move, though can feel the wrong word, when he's all but crawling to the bed. Water is too, even a few feet from the toliet, but the tile is too cold under his knees and the porcelain hurts under his cheek. He wants the softness. He wants to curl up and just die. Dying has to be worse than this. He really doesn't know how he makes it to the bed, crawling like a massive slug lump of himself, across the floor and then somehow, traversing gravity, as it pulls at his stomach again.

Except he makes it. Somehow at least on top of the blankets, in the muddle he'd thrown back to get to the bathroom. Unwilling to move to straighten those covers, or cover himself. Breathing still acrid, and using far too many muscles, making his whole body throb.

Eyes closed, just breathing, just existing in that malaise of darkness that tangles around him in loops.

Coalescing, and pulling him down, down, down.



While something tickles at the back of his head, the base of his neck. Soft, but annoyed, it flickers. Filters through in his name. Yuri... Soft, but drawn out and annoyed, too. Except not annoyance. Playful annoyance? It's hard to make any stick, have definitive lines, but he knows that voice, knows the face that shapes and shades his world.

Knows almost better than his own. He's looked at it more than his own, it feels.

Bluring, blending blue and green, perfect grey and silver, a smile like gold, brighter than a flood light, when it slides through his ears, through his whole body, like wind and rain and cherry blossoms dropping in spring and the gentle rain of monsoon season, never ending, forever clinging to you. Words, slipping through on it, until they in his very muscles, his very bones, every agonized breath and that darkness growing so heavy on him everywhere, blacking out the world.

You're leaving me already?



How cruel.


His eyes blink, and droop, even harder, hand reaching for a light beyond him, even as his shoulder screams, creaking like a door coming straight off the hinge. "I'm right here," hoarse and unhinged, and barely more than a whisper. Reaching, reaching, reaching, but never finding, sliding through the light, like it dances from him, darkness sliding, sliding, sliding, everywhere. But he needs to tell, has to tell, panting, unable to reach, to speak, grasping sand in ghost-like fingers as it falls through him -- "I'm right here."

But just soon as they form, desperate and softer than snow fall, he isn't, too.